MAGIX, DaVinci, PremierePro, After Effects) required to produce a film. Possibly external accessories (interval trigger) necessary.Search for location, mount camera on the tripod, align the subject.
CAPTURE 1 AND PANOLAPSE ISO
Set fixed exposure time, fixed ISO and fixed aperture (tip: use as long exposure times as possible, possibly gray filters during the day).Set fixed white balance (NOT on automatic!.Focus on the subject – > then turn off AF! Turn off the image stabilizer!.Interval in the camera’s interval meter or on the external intervalometer.
Only very special cases (such as fast moving people, auroras, distances in the car).At an interval of 1 second, a 10-second film sequence (250 frames) requires a recording time of about 4 minutes.Īttention: Here the triggers are already reached their limits!.At an interval of 2 seconds, a 10-second film sequence (250 frames) requires a recording time of approximately 8 minutes.Visible moving clouds, people, moving objects, vehicles.At an interval of 5 seconds, a 10-second film sequence (250 frames) requires a recording time of about 20 minutes.Slow objects, high, slow clouds, sunset, sunrise.At an interval of 10 seconds, a 10-second film sequence (250 frames) requires a recording time of approximately 41 minutes.Sequences with subjects that require long exposure (stars) At an interval of 30 seconds, a 10-second film sequence (250 frames) requires a recording time of approximately 125 minutes.Observe the relationship between exposure time, black time and interval! Exposure time always less than the interval minus select the black time. The blacktime is the time when the camera does nothing. However, the image must be saved during this time. Koyaanisqatsi is an experimental film and the first part of Godfrey Reggio’s Qatsi trilogy, which deals with human intervention in nature and, more generally, critical of civilisation with the human way of life.ˈkɔɪjɑːnɪsˌkatsi Reggio was inspired by the philosophy of Leopold Kohr. The absence of dialogues and actors is extraordinary, the film consists exclusively of assembled, associative slow motion and time-lapse image sequences of cities and many natural landscapes in the United States and the music composed by Philip Glass and tailored exactly to the images.
CAPTURE 1 AND PANOLAPSE SERIES
The first episode of my new time-lapse film series “TIMELAPSED – A tribute to Koyaanisqatsi” pays homage to the great artist Godfrey Reggio, who revolutionized slow motion and time-lapse technology with his films. In episode 01 you will find recordings about Bad Mergentheim and Erlangen.
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